Approach and Style
Zappa's guitar style was primarily dominated by single-note lines. Many
of his records feature lengthy improvised guitar solos, characterized by
their rhythmic complexity. " My solos, are speech-influenced rhythmically,
and harmonically they're either pentatonic or poly-scale oriented," he
told Steve Rosen. For soloing, he preferred the lydian and mixolydian modes
and fourth and eleventh intervals. He liked to combine tonalities, such
as playing in the key of A over an E7 vamp.
Most of his solos were played over pedal tones or one or two chord
vamps. " I don't like chord changes," he said. " I like to have one tonal
center that stays right there, or possibly with a second chord that varies
off the main tonal center." Instead of playing chord changes, he often
played notes that played notes that imply chords.
Techniques
The most distinctive aspect of Zappa's playing technique was his left
handed phrasing. " If I pick one note with my right hand, I'm playing five
with my left," he said to Steve Rosen. " I don't pick everything I play."
Sometimes he played exclusively with his left hand, generating notes with
hammer-ons and pull-offs for several measures before he picked a note with
his right hand. From the mid-'70's, Zappa frequently used right-hand tapping
techniques. He usually struck the fingerboard with the tip of his pick
when tapping to create "Bagpipe noises". Examples of this can be heard
on " Inca Roads" and "Po-Jama People," from "One Size Fits All". Zappa
held his pick with his right hand thumb, forefinger, and middle finger.
He used alternate picking, which helped him play many of his exceptionally
fast and accurate passages. In the early 80's, when he got a guitar equipped
with a floyd rose locking tremolo, he frequently experimented with the
vibrato bar, pulling notes sharp and depressing the bar until the strings
went limp. Zappa also enjoyed experimenting with feedback.
Many of his guitars were equipped with special
EQ circuits that enhanced midrange frequencies that cause the guitar to
feed back more easily.
Zappa's concerts often featured extended guitar
solos that displayed his fluid legato phrasing and advanced sense of rhythm.
Many of his finest solos can be heard on: -Shut up and play yer guitar
- Zoot Allures
- Hot Rats
- One Size fits all
- Over-Nite Sensation
- Guitar